Garage Wall. Burbank, CA 4.2011
Thursday, June 23, 2011
Sunday, February 20, 2011
"SKIP" featured in this month's issue of "LOVE ISSUE MAGAZINE"

I'm very humbled to be one of the featured artists in this months "LOVE ISSUE MAGAZINE", by Constantin Nimigean.
Intimate, powerful work on family by Tierney Gearon, Aline Smithson and others.
Saturday, February 19, 2011
Wild Horses of Summer's Bay, Unalaska
Rule Number One:
While visiting or living in Unalaska, never ask a local to take you to see "the horses". It's code for, "Wanna go on a date?", and makes you immediately suspect. Same goes for the question, "Hey, wanna go for a hike?" In Unalaska, it's all just a badly concealed come-on.So, if you want to see the wild horses of Summer's Bay, you gotta go by yourself. Unless someone really does just want to see the horses and they ask you first. Either way, go. The drive up Summer's Bay road from the city of Unalaska immediately pitches you into the rugged beauty of the island, and austere collision of velvet, mountain tundra and the dynamic coastlines of the Aleutian peninsula, teeming with marine life.
The lure of the horses may get you in the car, but, as the saying goes, the journey is the destination. Any free time I had while working on Deadliest Catch was spent exploring the fecund coastline or plodding in my Xtra-Tuff boots over the soft tundra moonscape panning out from the road.
How the "wild" herd got there is a source of constant debate, and since- as I said- talking about them also seems to qualify as trying to hit on someone, you're not likely to get a straight answer from anyone who really knows, since they're too busy running away from you. But they seem to have arrived within the last 20 years, and they aren't really "wild", just feral. Feral, that is, but desperate for Cliff Bars, granola, apples and anything else you have in your pockets. That being said, approach at your own risk. I took my friend (and boss) Bill Pruitt out there a few weeks ago and his friendly approach to one tempermental mare earned him a swift kick and a Charley horse.
12/2010But in a land where boats set out to fish in frigid, 30 foot seas, remote populations go weeks without oil deliveries and pilots land planes in winds that's whiten even the most weathered welders knuckles, getting kicked by an agitated mare is getting off easy. And, who knows, you might never see them at all, after all, they're wild. Sort of.
Feb 20, 2011
Friday, December 17, 2010
Ropes, Nets and Buoys- Dutch Harbor, Pt. Two

Dutch Harbor was born from the sea. The tundra wreaks havoc on nitrogen levels and makes traditional farming profoundly difficult, so most islanders - from early Unagan natives to the multi-cultural collision that now calls Dutch home - farm the sea. Or, in some way live off it's gifts.

So, all around Unalaska, Iliuliuk and Captains bay, one can find caches of nets, crab pots and buoys. Most are stored for boats which are either docked or at sea and will eventually find their way onto a deck bound for the Bering Sea or points beyond. In the meantime, they stand as sculptural installations, perches for ravens and eagles, even mineral rich stashes for intrepid grasses. Either way, they have their appeal.















Thursday, November 18, 2010
Welcome to Dutch Harbor. Pt One
Hi.
Long time no blog.
Long story...
Long time no blog.
Long story...
Around October 1, I got a call from my dear friend Ethan Prochnick, wondering if I'd like to come up to Dutch Harbor for "the easiest producing job on the show". That being "land producer" for the Discovery series, "Deadliest Catch". And, relatively speaking, he was being honest. But as my friend Lanny Sikes, who lived and worked in Juno for over a decade recently stated:
"Alaska is not for pussies...Life (is) so dangerous & vivid - not a lot of margin for errors. And so terribly beautiful."Amen, Lanny.
The learning curve on this job has been, well, steep. Steep as a snow covered cliff-face capped by Bald Eagles defecating on your Gore-tex. I am a "Land Crab", a green-horn "Deadliest Catch" producer helping to round out stories and imagery on land for a show that takes place largely at sea. On my first day I was handed a camera and told to get out there and shoot a "meet and greet" between a one of our producer/shooter teams and their new captain. The producer was seasoned, the boat was new to the show, and I had no goddamned clue how to focus my brand new Sony Z5 HDV Cam. It was a sweaty few days.
And there's scant little mercy to go around, since the greater majority of our crew is out on boats in the Bering Sea, risking all, and I mean all, alongside some of the toughest laborers in the world: Bering Sea crab fishermen. Theirs- on both sides of the camera- is a brutal job, hard on the body, the head and, when in port, the liver. My job is actually a few jobs slapped over one another: behind the scenes when crew are in town, meeting boats, filming off-loads, chasing down on-land dramas (I say nothing here, watch season seven, my advice), filming b-roll- the worse the weather, the better, the more nautical the happier the folks back in Burbank.
It is, in fact, a great fucking job. I have gained a fluency in a range of camera technology most folks only drool over in camera mags, gotten the chance to work with some of the best, most insane reality shooter/producers in the business, had the monumental presence of the "terribly beautiful" topography of Alaska to toil in, and, last but not least, had it all in the one and only Dutch Harbor. Dutch is a great many things to a small, rarefied mix of people: a place rich in Aleut history, a contested battleground in WWII, a hard drinking palace of fast fortunes, a place to get lost in, a place to test your mettle, a place to get away, a place to work. Hard. Everybody in Dutch - from dockworkers to doctors to welders to processors- works very, very hard. It's a culture of creative survival and ingenuity. People up here have chops. When the Apocalypse comes, it's to Alaska I will run.
Lucky Lady herself, aboard her eponymous vessel, "Lucky Lady",ready for land after 3 months at sea, fishing halibut.
The effect is both overwhelmingly industrial and uniquely hand-made. Massive plates of steel are coerced into shape, nudged into place and loaded with "gear" while nets and buoys and lines lie in forgotten storage, looking oddly toy-like and fanciful. At other times, say, the rare day when the weather is too nice for the show (Deadliest Catch has a very stormy aesthetic, blue skies don't cut it), I blast around the few roads Unalaska Island offers and explore.
The town of Unalasaka, flanked by bays and lorded over by mountains, is the gateway to both sides of the island, and home to the bulk of both it's Aleut and military history.
The surrounding tundra bears copious scars of bunkers and ancient civilizations alike while the coastline teems with rare Emperor Geese, Harlequin Ducks, sea otters, seals, sea lions, and, of course, Bald Eagles; the land and culture vibrates with history, human, geologic and biologic.
And, so, without further ado, the opening salvo of my time on Dutch; a glimpse of a profoundly gorgeous, ever changing, unrelentingly unapologetic place. To date, I have never encountered a more dramatic, more alive, more austere and more intimidatingly beautiful landscape. Much more to come...
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